Photography

The ability to make a truly artistic photograph is not acquired off-hand but is the result of an artistic instinct coupled with years of labor.

Alfred Stieglitz

A photography movement emerged during the late nineteenth century featuring soft-focus effects, tonally subtle images, and atmospheric elements that mimicked the popular Tonalism style of painting. Practitioners referred to this as Pictorialism and used their work to help champion the cause of photography as one of the fine arts. Numerous printing techniques were used to create the hazy, dreamy look that the photographers wanted–platinum, gum-bichromate, photogravure–processes which often allowed significant handwork to be performed on the negative or print. Pictorialists banded together in societies to share their knowledge and encourage one another. Many magazines and books were published to further the movement, and exhibitions of the best work were presented at clubs, galleries, and museums. Pictorial photography is closely related to the Arts and Crafts movement, which shared with the former an emphasis on hand craftsmanship, merging art and life, and popular appeal.

The Two Red Roses Foundation is fortunate to own more than 250 photogravures, platinum prints, pigment prints, gum-bichromates, carbon prints, and cyanotypes of some of the best images by the leading artists of the Pictorialist and Photo-Secessionist movements–artists such as Alfred Stieglitz, Edward Steichen, Alvin Langdon Coburn, Gertrude Käsebier, Clarence H. White, Arthur Wesley Dow, and Edward S. Curtis. The collection also includes important photographic books and periodicals, including two influential sets of full issues of journals edited by Alfred Stieglitz, Camera Notes and Camera Work.

In addition, the TRRF has published a catalogue of its photography collection written by noted author and scholar, Christian Peterson. “Lenses Embracing the Beautiful”: Pictorial Photographs from the Two Red Roses Foundation (2016) analyzes the aesthetics and techniques of Pictorial photography and discusses camera clubs, exhibitions, and publications that were essential to the success of the movement. More than forty separate artists are featured, along with their biographies and over one hundred full-color plates of their best work from the collection.

The objects shown below represent a small sample of the Two Red Roses Foundation photography collection. Click or tap for a larger view. Please note that the Photography Collection is not currently on display.

Edward Sheriff Curtis - Bear’s Belly—Arikara, 1909

Bear’s Belly—Arikara, 1909

Edward Sheriff Curtis, American, 1868-1952
Photogravure

Alfred Stieglitz - The Net Mender, 1984

The Net Mender, 1984

Alfred Stieglitz, American, 1864-1946
Carbon print

Hiromu Kira - The Thinker, c. 1930

The Thinker, c. 1930

Hiromu Kira, American, 1898-1991
Toned bromide print

Pierre Dubreuil - Petite Place de Province, 1908

Petite Place de Province, 1908

Pierre Dubreuil, French, 1872-1944
Oil print

Alvin Langdon Coburn - Auguste Rodin, Paris from Camera Work (January 1908), 1908

Auguste Rodin, Paris from Camera Work (January 1908), 1908

Alvin Langdon Coburn, English (born United States), 1882-1966
Photogravure

Rudolf Koppitz - Bewegungsstudie [Movement Study], 1925

Bewegungsstudie [Movement Study], 1925

Rudolf Koppitz, Austrian, 1884-1936
Pigment print

Alfred Stieglitz - The Terminal, c. 1892

The Terminal, c. 1892

Alfred Stieglitz, American, 1864-1946
Large Format Photogravure

Alvin Langdon Coburn - Portrait of Arthur Wesley Dow, 1903

Portrait of Arthur Wesley Dow, 1903

Alvin Langdon Coburn, English (born United States), 1882-1966
Gum bichromate over platinum print

Alfred Stieglitz - Gossip – Katwyk, 1894

Gossip – Katwyk, 1894

Alfred Stieglitz, American, 1864-1946
Carbon print

Edward Sheriff Curtis - Self-Portrait, 1905

Self-Portrait, 1905

Edward Sheriff Curtis, American, 1868-1952
Photogravure

Alfred Stieglitz - New York Central Yard from The Artistic Side of Photography, 1911 (negative 1903)

New York Central Yard from The Artistic Side of Photography, 1911 (negative 1903)

Alfred Stieglitz, American, 1864-1946
Photogravure

Alfred Stieglitz - Georgia O’Keeffe, Torso, 1918-1919

Georgia O’Keeffe, Torso, 1918-1919

Alfred Stieglitz, American, 1864-1946
Palladium print