Tile & Faience

We call it a fascinating material, for we have yet to know of a designer who has made a serious attempt to use it who has not sooner or later developed a mania for it. The color possibilities are so large and the effects produced thereby are so permanent that there is no other one medium which is on the whole so satisfactory.

Clarence Blackall, The Brickbuilder (1898)

The “fascinating material” referred to by architect Clarence Blackall was the glazed terra cotta, or faience, that was being used on buildings and homes during the late nineteenth century. But as the Arts and Crafts movement began to spread throughout the United States, designers and artisans were inspired to move beyond the hard, glossy, mass-produced architectural tiles and explore “the endless possibilities for adding to the decorative beauty of rooms” with the matte glazes and rich, earthy colors of handcrafted tiles. A new demand for color in architecture supported their efforts to produce tiles for walls, floors, friezes, panels, fireplace facings and overmantels, murals, and even entire rooms.

The scope and depth of the Two Red Roses Foundation’s collection provides an opportunity to examine the wide variety of tiles produced, as well as how they were used. From individual tiles, plaques, borders, friezes, and fireplaces, to large installations and fountains, the most influential artists and their potteries are represented in the collection, such as: Batchelder and Brown, Grueby Faience and Tile, Marblehead Potteries, Newcomb Pottery, Rhead Pottery, Rookwood Pottery.

In 2016, the Two Red Roses Foundation published what many consider the preeminent history of tiles and architectural faience from the American Arts and Crafts movement, “The Endless Possibilities”: Arts and Crafts Tile from the Two Red Roses Foundation. Written by noted scholar and author Susan Montgomery, the undertaking took more than five years of painstaking research over two continents and thoroughly documents the TRRF collection–from individual 4 x 4-inch tiles to a complete room installations. An appendix is also included, which provides concise histories of each tile company represented in the collection, and the talented men and women who designed and crafted these remarkable works of art.

The objects shown below represent a small sample of the tile collection displayed in the museum. Click or tap for a larger view.

Frederick Hurten Rhead - Peacock, Four-Tile Panel

Peacock, Four-Tile Panel, 1910

Art Academy of the People's University
Frederick Hurten Rhead
Buff body
20-¾ x 20-¾ in.

Marblehead Pottery - Cats and Moon Tile

Cats and Moon, c. 1910

Marblehead Pottery
Arthur E. Baggs, Designer
Herbert L. Bartlett, Decorator (attributed)
Buff body
5-¾ x 5 13/16 in.

Grueby Faience Company - Haystack Tile.

Haystack, 1902

Grueby Faience Company
Vesper Lincoln George, Designer
Buff body
5-½ x 5-½ in.

Rookwood Pottery - Parrots and Orchids

Parrots and Orchids, c. 1912

Rookwood Pottery
John Hamilton Delaney Wareham, Designer
Buff body
18-¼ x 40 in.

Rookwood Pottery - Parrots and Orchids

Panther, c. 1900

Grueby Faience Company
Russell Crook, Designer
Buff body
7-¼ x 11-½ in.

Addison B. LeBoutillier - Forest

Forest, c. 1905

Grueby Faience and Tile Company
Addison B. LeBoutillier, Designer
Buff body
12 x 12 in.

C. Grant LaFarge, Addison B. LeBoutillier - Jungle

Jungle, 1902

Grueby Faience Company
C. Grant LaFarge, Designer
Addison B. LeBoutillier, Designer
Buff body
12-3/16 x 12-3/16 in.

Addison B. LeBoutillier - Landscape

Landscape, 1906

Grueby Faience Company
Addison B. LeBoutiller, Designer
Buff body
4 x 4 in.

Waterlily mantel facing (no. A119), c. 1904

Waterlily mantel facing (no. A119), c. 1904

Sarah Alice Toohey, American, 1872-1941, designer and maker
Rookwood Pottery Company, Cincinnati, OH, manufacturer
Glazed earthenware

Ernest A. Batchelder - Parrots in a Circle, No. 70

Parrots in a Circle, No. 70, c. 1920-1932

Batchelder-Wilson Company
Ernest A. Batchelder, Designer
Red Clay Body with Mineral Slip
12-¼ x 12-¼ in.

Ernest A. Batchelder - Parrots in a Circle, No. 70

Advertising tile, c. 1915

M. K., unidentified glazer
Grueby Faience and Tile Company, Boston, MA
Buff faience body